At least, not
on your ereader, anyway. I think he wants you to read his
critically-acclaimed novel Freedom, but only if you buy
the hardcover version currently list priced at $28 USD on Amazon. I think that’s what he was trying to say in his talk at the Hay Festival, covered by The Telegraph two weeks ago.
Jonathan
Franzen is all about the glue in the binding and the touch of finger oils on
paper. In his recent interview, he says that eBooks are detrimental to society
because they have been “conned” into existence by “the capitalists.” Paperback
books—apparently published by non-capitalist, non-mega publisher Farrar, Straus& Giroux—are better because, “Someone worked really hard to make
the language just right, just the way they wanted it. They were so sure of it
that they printed it in ink, on paper. A screen always feels like we could
delete that, change that, move it around. So for a literature-crazed person
like me, it’s just not permanent enough.”
Unless, as a
helpful commenter pointed out at The Guardian, you have too many
errors in your traditionally published, professionally edited novel that
printed an 80,000 first run—then it is entirely necessary to destroy 80,000 books and reprint them. An ebook, which would have necessitated a
simple re-download for a corrected version, delivered straight to your Kindle
or Nook, just doesn’t have that sense of the language being “just right.”
The Guardian
article on Franzen’s comments has curated a rather hilarious lot of
commentators who point out a lot of the inconsistencies in his argument, and I
recommend checking it out. How does he “take the game card out of his computer”
anyway? If you have ever identified the “game card” in your computer, please
drop a line in the comments below so I can take it out of mine, too.
This is not the
first time Franzen has failed to understand common technology, nor criticize
his readership and meal ticket.
Jonathan
Franzen also does not want Oprah Winfrey to read his books… Correction, he did not want Oprah Winfrey to read his books, until his
first inclusion in Oprah’s Book Club resulted in millions of sales. After that
it was okay to appear on her show and have millions of people praise him. But
when his National Book Award-winning novel The
Corrections was first selected to be in the club, Franzen famously
denounced the program and the readers he believed he would get from the inclusion.
He waited until after his book had already been featured on Oprah in October
2001, and then afterwards, in an interview with NPR said the following (read the full interview here):
"So much of reading is sustained in this country, I think, by the fact that women read while men are off golfing or watching football on TV or playing with their flight simulator...I continue to believe that, and now, I'm actually at the point with this book that I worry...I had some hope of actually reaching a male audience….”
Which is to say
that Jonathan Frazen does not really care if women read his book—men are the
true mark of a reading society, and if you don’t have them, then you don’t have
much of anything. Millions in the bank, yes. But otherwise it sounds like a
typical First World Problem to me.
Of course, he
was gracious enough to appear on Oprah when Freedom came around a few years later. Time magazine had
already called him the Great American Novelist, and he had
received plenty of criticism for his remarks about the female of the species
and for his treatment of someone trying to honor his work. Check out some good soundbites from the Oprah interview on Flavorwire.
So if Franzen
has an established behavior of saying something inflammatory and later
retracting it, what do you think is going to happen over the next several
years, as ebooks do, in fact, become the dominant form of publishing?
The icing on
the cake of last month’s very strange talk is that Jonathan Franzen claimed
he would rather be dead than live in a world where ebooks are the dominant form
of publishing. Not to get too dramatic about it or anything.
Do you think statements like these, from a hyper popular author, have any effect on public perception of ebooks?
Do you think statements like these, from a hyper popular author, have any effect on public perception of ebooks?
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